Psychedelic Rock might just be the main genre in Rock history. Bred from a 1960’s counterculture centered on taking psychedelic drugs in order to have a heightened sense of reality through distortions, vibrations, vivid colorizations and lucid dreaming, the culture attempted to replicate LSD effects through vibrant pictures and sounds.
Psychedelic Rock is characterized by heavily effected instrumentation. Reverb echoes incessantly, tremolo replaces standard lead guitar lines, while distortion buzzes throughout. Lyrics experimented with relay visions and feelings produced of these cosmic inner journeys.
The sound was pioneered with the Beatles, and brought up by such bands because the Yardbirds, Cream, Pink Floyd and also the Jimi Hendrix Experience. The group primarily caused by inventing the term Psychedelic Rock is the Austin, TX based The 13th Floor Elevators.
The movement hit its peak with all the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, The Rolling Stones’ Their Satanic Majesties Request, Pink Floyd’s The Piper with the Gates of Dawn, all eventually climaxing in 1969 at Woodstock, where psychedelic acts such as Jimi Hendrix, Janis Joplin and Santana played.
Several events brought about the loss of popularity of Psychedelic Rock. LSD had been declared illegal, the link between Sharon Tate’s murder by Charles Manson and The Beatles’ “Helter Skelter” led to a “hippie backlash”. “Acid casualties”, or people negatively impacted by hallucinogens and medicines in general, became posters for avoiding psychedelic experiences: Syd Barrett’s insanity, the deaths of Jim Morrison, Jimi Hendrix and Janis Joplin generated a far more raw “back to basics” trend in Rock.
However, due to appeal of Psychedelic Rock, new genres were formed, including Progressive Rock as well as Metal. Musicians who spent my childhood years paying attention to Psychedelia still planned to take aspects of the movement, and included a common aspects within their respective sounds.
Within the late 1970’s, bands primarily inside the Post-Punk scene strived to bring back Psychedelia, blending the distortions, reverb and phaser (et al) using the upbeat dance beats of recent Wave. Bands for example Siouxsie and the Banshees, Echo along with the Bunnymen, The Soft Boys, along with the Church utilized the 60’s nuances to full 80’s effect.Hence, Neo-Psychedelia was.
The buzz of those bands bled in the 90’s, together with the Shoegaze of My Bloody Valentine and also the Jesus of Mary Chain carrying over in the 80’s, the emergence with the Brian Jonestown Massacre, The Dandy Warhols, as well as the Electric 6 Collective like the Apples in Stereo, of Montreal, and Neutral Milk Hotel. Neo-Psychedelia can basically be summed up as any sort of music incorporating Psychedelic elements within its songs.
True Psychedelic Rock is untouchable, having ended using the decline from the counterculture. If one would write original songs from the Psychedelic Rock style those songs could be Neo-Psychedelic.
Psychedelic Music was powerful in their statement, primarily through its promise of experiencing heightened art, it is constantly dominate our musical trends to this day. And I’m prepared to bet it will never fizzle out entirely.
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