Sabrina Ho looks to Macau art fairs and auctions to diversify economic climate from casinos

As pressure grows on Macau to locate new causes of revenue, scion of casino dynasty imagines an alternative future for your other SAR
Sabrina Ho Chiu-yeng is performing what she could to aid Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun might be better known for gracing society and entertainment pages, but in January she organised the very first Macau sales by China’s state-owned Poly Auction and also in November held her annual hotel art fair, having already launched an exhibition to market the work of young art graduates in September.


“Macau is evolving,” she tells The Collector. “We don’t desire to rely just about the gaming industry. We want more families into the future in charge of holidays, we want to boost our cultural and artistic industries.”
This is the politically correct view for your daughter of the casino magnate. Macau is within the cross hairs of Beijing’s fight against corruption and capital outflow. The central government started urging the location to quit its addiction to the gaming sector, the taxes that pay for most public expenditures, back during the boom years, when the “build it and they’re going to come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers coupled with a slowing economy have raised pressure to succeed to locate new revenues.
Fundamental change may be slow into the future. Five casinos have opened since 2012 plus much more are stored on the best way, including two from branches from the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Sabrina ho chiu yeng‘s half-sister Pansy Ho Chiu-king.

So can be Sabrina’s cultural endeavours all just a bit of soft advertising for your clan?
Well, China’s biggest ah is treat­ing her seriously, and hopes her youthful energy and family connections may help it enter a brand new and wealthy market where no international house carries a presence. In turn, Ho says, sherrrd like the auctions to aid attract tourists as well as perhaps encourage the city’s 600,000 residents to formulate really an interest in culture. Their bond, called Poly Auction Macau, is 51 percent belonging to Poly as well as the rest by Ho’s company, Chiu Yeng Culture.
Ho spent my childhood years flanked by art and other collectables belonging to her parents but she is fairly new towards the auctions business. After graduating with the arts degree in the University of Hong Kong, in 2013, she worked on the branding and marketing side from the family’s hotel and property businesses. “But I prefer art and that i asked Poly basically could work part time within their Hong Kong office, to discover the auction world,” she says.
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